Michael LaCroix's music has received awards in the SOCAN Foundation's Young Composers Competition in Canada (for his piano work, Potens Nuntius), in the Fourth International Prof. Ivan Spassov Composition Competition in Bulgaria (for Twelve Faces of the Emerald), and an SCI/ASCAP Regional Award (for A Presence Close as Breath). His music has been featured in concerts, festivals, and
workshops across North America, South America, and Europe, by such performers
as: The Saint Paul Chamber Orchestra and conductor Cliff Colnot in Chicago and Minnesota; The Orchestre National de Lorraine and conductor Diego Masson in Metz, France as part of the Acanthes Festival; eighth blackbird in Chicago; Psappha as part of the St. Magnus Festival in Kirkwall, Scotland; mezzo-soprano Julia Bentley; the FLUX Quartet at CAMI Hall in NYC; Masumi Per Rostad and Brandon Vamos of the Pacifica Quartet; Aventa as part of the Ignite! Composers Workshop; pianist Lisa Kaplan at PianoForte Inc. in Chicago;
by Detroit Symphony Orchestra pianist, Robert Conway in solo concerts in
Detroit and Windsor, Canada, as well as part of a duo with Canadian pianist
Catherine Wilson, commissioning a work for performances in Abbotsford, B.C.,
Toronto, Detroit, and Columbus, OH; the ensemble of the ARCANA Composers’
meeting in Capriolo, Italy; pianist Ciro Longobardi at the Cantiere Internazionale d'Arte in Montepulciano, Italy; Brazilian concert pianist Paulo Gazzañeo on two
separate tours across South America; Third Angle New Music Ensemble in
Portland, OR; Ensemble Green in California; by the composer as pianist at La Schola Cantorum in Paris,
France, and at the Detroit International Jazz Festival; and others.
In recent years, he has
dramatically increased his activities on a number of fronts, including
experiments in electronic music, sound installation and video projects, a
number of new works for traditional forces, as well as producing his own
concerts in international exchanges with up-and-coming and established ensembles.
While in residence at the University of Chicago, he has taught Aural Skills, 18th Century
Counterpoint, as well as Intro to Composition, and will teach in the Harmony and Voice Leading sequence during the 2011-12 school year. During 2009-10, he completed a year-long appointment as an adjunct instructor of Aural Skills at Wheaton College Conservatory, and has previously taught the Music Theory / Keyboard Skills sequence for undergraduate Musical Theater majors at the University of Windsor, Canada.
Currently, he is in advanced residence as a student in the PhD program in music composition at the University of Chicago, where his principle teachers have included Marta Ptaszynska, Shulamit Ran, Elzbieta Sikora, and electronic and multimedia music with Howard Sandroff and Kotoka Suzuki. He graduated Cum Laude from Wayne State University, Detroit, MI, with a BMus in Jazz Piano, and continued at WSU with graduate work in composition under James Hartway. He has also had short term studies or participated in master classes with internationally recognized composers Jan Radzynski, Salvatore Sciarrino, Fabio Nieder, Sir Peter Maxwell Davies, Alasdair Nicolson, Sally Beamish, Klaus Ib Jørgensen, Michel Gonneville, Michèle Reverdy, Lukas Foss, Noël Lee, Leslie Bassett, James Lentini, Narcis Bonet, and Philip Lasser.
Recent and Upcoming Activities:
Michael is working to complete a musical adaptation of the
Aristophanes comedy, The Birds. The first act was premièred in
Chicago on May 22, 2011 by eighth blackbird (plus saxophonist Jeremy
Ruthrauff) and featured Israeli actor Ofer
Ravid, soprano Tony Arnold, and tenor Peter Tantsits.
In an international exchange with pianist
Ciro Longobardi, Michael recently composed a new work for solo piano, Sound Sketch (the fitful tracing of a portal), which was
premièred in Tuscany as part of the Cantiere Internazionale d'Arte di Montepulciano on July 28, 2011. In return, he will welcome Mr. Longobardi for a recital of contemporary Italian piano music (focusing on Sciarrino and Fedele) to take place at 3pm on October 23, 2011 at Fulton Recital Hall at the University of Chicago (admission is free and open to the public).
The première of Velocità astratta,
commissioned by the Windsor Symphony Orchestra with a Canada Council for the
Arts Commissioning of Canadian Composers Grant, was presented February 9, 2011.
...like the strain waked..., for viola and
cello, was premièred in Chicago by Masumi Per Rostad and Brandon Vamos of the
Pacifica Quartet in May 2010. He began the piece as a participant in the
2008 Intrasonus Workshop in Mestre-Venice, in consultation with performers
Garth Knox and Rohan de Saram, and composers Roberto Rusconi and Adriano
Guarnieri. Support for the completion of this project came from a Summer
Stipend from the Chicago Arts Council at the University of Chicago.
During spring 2010, his new work for orchestra, colored by many waves, was read in Minnesota by the Saint Paul Chamber
Orchestra with Cliff Colnot conducting.
As a participant in the June 2009 St. Magnus Festival in Kirkwall, Scotland, he
composed a short work, Ecliptic,
which was premiered by members of Psappha, the ensemble in residence.
A Presence Close as Breath, which received
its première by eighth blackbird on May 23, 2008, was featured during an open
reading session at the Aventa Ignite! Composers Workshop in Victoria, BC,
Canada, in early September 2008, and by the University of Windsor faculty
ensemble at the Windsor Canadian Music Festival at the end of February 2009.
Twelve Faces of the Emerald (read
about the first performance of the work in 8bb's blog in the entry Prima Primas) was part of a tour that began at the
Chicago Cultural Center on July 21, 2008 featuring soprano Jennifer Macfarlane
Haworth and members of the Millennium Chamber Players, with additional dates in
early August 2008 in Toronto and Montréal including a performance at the
Festival Jusqu'aux Oreilles with baritone Brad Jungwirth as soloist.
(Read the short, but favorable, review from the Montréal